This page contains all publications submitted to SURFACE by students, faculty, and staff in the department.

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2007

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A people of consequence: The Shawnee, 1662--1789, Gregory K. Scott

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Toward an "accented" critique of culture: Theorizing postcolonial East Asia, Hyon Joo Yoo Murphree

2006

Sarah C. Harwell, Raymond Carver Reading Series, December 6, 2006, Sarah C. Harwell

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Community and social justice in New Deal-era urban literature, Jonathan J. Butts

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Destroying time: Topology and taxonomy in "The Alexandria Quartet", Beatrice Skordili

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Gender dissonance and the bourgeois woman in the Victorian novel, Christina M. Parish

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Unlettered culture: The idea of illiteracy in early modern writing, Katheryn M. Giglio

2005

George Saunders, Raymond Carver Reading Series, October 12, 2005, George Saunders

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Cadensation: A Distillation of Rhythm in Prose, Matthew G. Sedlak

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THE TOWN HALL IS FILLING WITH BOULDERS, Christopher Miller

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Becoming the Bridge: Border-crossing, Intersectionality, and Wave Theory in Contemporary Feminist Movement, Meagan Lynn Weatherby

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The reinvention of meaning: Cultural imaginaries and the life of the sign, Maik Nwosu

2004

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The modern invention of 'culture': Empire, globalism, and the persistence of history, 1776--1876, Corrinne B. Zoli

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Tourist geographies: Spectatorship, space, and empire in England, 1830--1910, Shelly Vye

2003

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Strange things: Hemingway, Woolf, and the fetish, Amy Margaret Vondrak

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War games and imperial postures: Spectacles of combat in United States popular culture, 1942--2001, Karen J. Hall

2002

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Nature's "cunning alphabet": Pastoral landscape and politics in nineteenth-century American literature, Roger William Hecht

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The art of change: Experimental writing, cultural activism, and feminist social transformation, Elizabeth (Beth) S. Berila

Bruce Smith, Raymond Carver Reading Series, September 11, 2002, Bruce Smith

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Bull, cock, and colony in the Anglo-Irish novels of Maria Edgeworth and Laurence Sterne, Elaine Alison Norris

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An American avant-garde: Grove Press, 1951--1986, Brian James McCord

Christopher Kennedy, Raymond Carver Reading Series, April 4, 2004, Christopher Kennedy

2001

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What price Hollywood? Producing and consuming cultural myth and cinematic landscape in Los Angeles, Josh Alan Stenger

2000

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Invisible presence: Toward a theory of African-American subjectivity, Robert Milton Young

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Women and representational practice, 1642--1660, Katherine Margaret Romack

George Saunders, Raymond Carver Reading Series, September 27, 2000, George Saunders

1999

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Fictions of domesticity: Literatures of self, home and nation in the post-Civil War United States, 1860-1885, Diaz Lisette Nadine Gibson

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The practice of genre: Composing in an expert community, David Theodore Franke

1998

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Pathologized subjects: Southern Gothic, white trash, and the discourse of "race" in the 1930's, Louis Hooker Palmer III

1997

George Saunders, Raymond Carver Reading Series, January 29, 1997, George Saunders

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Attending to Elysium: Henry David Thoreau, William Bronk, and the continuity of an American poetry, David Wright, Clippinger

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City wilderness: The pastoral topographies of literary Marxism in the United States, 1893-1950, Steven, Rosendale

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Post-colonial African theory and practice: Wole Soyinka's anarchism, Joseph Walunywa

1996

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Evading the Salic law of wit: The female satirist and sentimental community in Sarah Fielding, Sara F. Gadeken

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Manly desire: Sexual economy in English narratives, 1748-1771, David Milo Weed

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Toward a theory of discourse based on the socio-discursive nature of knowledge: a synthesis of sophistic Nomos and Gricean cooperation (Paul Grice), Kenneth John Lindblom

1994

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Analysis and measurements of arbitrarily shaped open microstrip structures, Zoran A. Maricevic

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Dayneford's library: American homosexual writing, 1900-1913, James Joseph Gifford

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Raising our voice: The essay and architecture/the essay as architext, Diana M. Penrod

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The appropriation of the medieval motif by nineteenth-century British women writers, Natalie Joy Woodall

1993

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Cultural Studies, Queer Theory, Marxism, Robert Andrew Nowlan

1991

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Granville Hicks and the dilemma of American radicalism, Anouar Majid

1990

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Modernity and imperialism: A critique of literary modernism, Rajeswari Mohan

1987

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The medieval theory of the sign and its relationship to "The Book of Margery Kempe", "Sir Gawain and the Green Knight", and "Piers Plowman", Kathryn Cushman Hall

1986

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The "Confucian Odes" Made New: Ezra Pound's Translation Of The "Shi Jing", Pei-Wen Chang

1982

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Camel, Weasel, Whale: Shakespeare's Riddles, Daniel Joseph Pukstas

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Robert Squire's "Death, a Comedie," A Seventeenth Century Translation Of William Drury's "Mors": A Critical Edition, Michael Thomas Siconolfi

1981

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Shakespeare's dramaturgy and the education of the audience in "The Tempest", Diana Janice Biro

1980

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Turbulent Form: The Vortex in "The Cantos" Of Ezra Pound, David Brendan Hopes

1978

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The deep image: Radical subjectivity in the poetry of Robert Bly, James Wright, Galway Kinnell, James Dickey, and W. S. Merwin, David Lindsey Elliott

1976

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Effects of Ideals upon Characters in Hawthorne's Fiction, James Mauritz Johnson

1975

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The Measure of All Things: The Conflict of Art and Biology in American Natural History Writing, Donald Federman

1972

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Personal Identity in Jonathan Edwards, Ralph Waldo Emerson, and Alfred North Whitehead, Jerome Francis Keating

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Reynolds and Wordsworth on Imagination: A Comparative Study, Charles William Moore

1971

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A Study Of John Webster's Use Of Renaissance Natural And Moral Philosophy, William Guenther Dwyer

1968

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A rhetorical approach to Melville's “Bartleby”, “Benito Cereno”, and “Billy Budd”, Robert Alan McQuitty

1962

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John Webster's Imagery, Sanford Victor Sternlicht

1960

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An annotated edition of Henry David Thoreau's 'Walden.', David Gordon Rohman

1957

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Modern Critics and Romantic Sensibility: A Study of the Romanticism of the New Criticism, Richard Jackson Foster

1947

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In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard