Date of Award

6-26-2026

Date Published

August 2026

Degree Type

Thesis

Degree Name

Master of Arts (MA)

Department

Media Studies

Advisor(s)

Anne Osborne

Keywords

dual character;generational trauma;grounded theory;horror film;representation;U.S. horror film

Subject Categories

Communication | Social and Behavioral Sciences

Abstract

This thesis examines the representation of dual-role characters in contemporary American horror cinema through a qualitative textual analysis of three 2025 horror films: The Monkey (Osgood Perkins), Sinners (Ryan Coogler), and Frankenstein (Guillermo del Toro). While dual or doubled characters have historically been analyzed through psychoanalytic frameworks centered on the ego, repression, and identity fragmentation, this study argues that recent horror films move beyond the traditional “double as self” narrative. Instead, these films position dual-role characters within broader social, cultural, and familial contexts, emphasizing how doubling reflects generational trauma, collective memory, and systems of oppression. Guided by Stuart Hall’s theory of representation and grounded theory methodology, this research explores the question: How are dual-role characters portrayed in horror films released in 2025?

Access

Open Access

Included in

Communication Commons

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