Date of Award

5-10-2026

Date Published

June 2026

Degree Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Studio Arts

Advisor(s)

Whitney Hubbs

Second Advisor

Dusty Herbig

Keywords

Americana;Hauntology;Painting;Photography;Psychogeography;Public Memory

Subject Categories

Arts and Humanities | Fine Arts

Abstract

This thesis explores the relationship between landscape, memory, and image-making through a multidisciplinary practice spanning photography, painting, and collage. Rooted in early experiences with skateboarding as a framework, the work adopts a subcultural way of seeing that reinterprets urban space as fluid, contingent, and open to reconfiguration. This perspective informs an ongoing investigation of post-industrial and altered environments as sites marked by both physical and historical violence. The project frames these landscapes as “spectral,” holding traces of human activity, memory, and absence. Alongside this external mapping, it examines an internal landscape shaped by visual memory, personal experience, and mediated imagery, where photographs function as unstable records that blur fact and fiction. Studio works incorporate archival materials and found images to construct layered, nonlinear compositions that collapse time and resist fixed interpretation. Ultimately, the thesis positions image-making as a form of cartography and ritual—one that navigates between presence and absence, experience and speculation. By embracing ambiguity and coincidence, the work foregrounds the unresolved and the unknowable as central to both artistic practice and the understanding of place.

Access

Open Access

Included in

Fine Arts Commons

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