Date of Award

5-10-2026

Date Published

June 2026

Degree Type

Thesis

Degree Name

Master of Arts (MA)

Department

Communication and Rhetorical Studies

Advisor(s)

Rachel Hall

Keywords

Adinkra Symbols;Autoethnography;Cultural Memory;Decoloniality;Story Circles

Subject Categories

Communication | Social and Behavioral Sciences

Abstract

In this thesis, I explore how Ghanaian Adinkra symbols, particularly Sankɔfa and Gye Nyame, function as living expressions of memory, spirituality, and belonging within diasporic life. Drawing on autoethnography, story circles conducted at Pentecost International Worship Centre (PIWC) in Syracuse, New York, and embodied experience, the study examines how these symbols move beyond decoration to become active tools for remembering, resisting, and reconnecting with ancestral knowledge. Through everyday practices such as dress, ritual, worship, and digital expression, Sankɔfa and Gye Nyame carry memory across generations and geographies, shaping how diasporic subjects understand home, identity, and faith. The research shows that these symbols are not fixed in meaning but adapt as they circulate through diasporic and digital spaces in response to migration, displacement, and changing social contexts. The thesis also incorporates drawings of Sankɔfa and Gye Nyame created by my brother, whose visual interpretations offer an intergenerational perspective on how these symbols are remembered, reimagined, and transmitted. By analyzing the participants’ stories and interweaving it with my own encounters, the study highlights memory as something felt, performed, and embodied rather than solely preserved in archives. Ultimately, the thesis contributes to conversations on diaspora, cultural memory, and decolonial knowledge by demonstrating how African symbols operate as everyday practices of continuity, resistance, and future-making in the Ghanaian diaspora.

Access

Open Access

Included in

Communication Commons

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