Degree Type

Honors Capstone Project

Date of Submission

Spring 5-1-2019

Capstone Advisor

Greg Corso

Honors Reader

Rachel Hall

Capstone Major

Architecture

Capstone College

Architecture

Audio/Visual Component

no

Keywords

form, body, object, affect

Capstone Prize Winner

no

Won Capstone Funding

yes

Honors Categories

Creative

Subject Categories

Architectural History and Criticism | Architectural Technology | Architecture

Abstract

Born from architecture’s increasingly shattered conceptual foundations, the formal project of bodily objects presents an interesting case study into the emerging dialectics surrounding considerations of representation, technology, and affect. This thesis examines the genealogical origins of corporeal form in order to further understand the stake that bodies hold within the production and reception of architecture. By tracing the pedigree of corporeal form back to the two types of architectural signification that emerged after modernism, bodies can be validated as a project able to extend and advance architecture’s potential for individualized and collective engagement. By situating bodily objects within the histories of associative and receptive design, complex digital modeling, and architectural communication, this thesis makes a case for corporeal form and its ability to cater to sensual desires, permit amicable subject-object relationships, and enable personalized associations with architectural artifacts

Creative Commons License

Creative Commons Attribution 4.0 International License
This work is licensed under a Creative Commons Attribution 4.0 International License.

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