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First Page

76

ISSN

0843-5499

Last Page

84

Abstract

Glass bead sample cards were sent out in the 19th century by bead dealers and producers to illustrate their products and few are known that include small beads of drawn manufacture. One such card marked New York was acquired in 1882 by Captain Eli Lindesmith, a Catholic priest and Army chaplain at Fort Keogh, Montana. Lindesmith used the card to select seed beads for a cradleboard he commissioned that year from a Cheyenne woman named Flying Woman, the wife of Wolf Voice. This previously undescribed sample card is compared to other 19th-century cards displaying drawn beads in an attempt to determine its origin. Insight into the identity and family history of the maker of the cradleboard is also provided.

Publisher Information

The Society of Bead Researchers is a non-profit scientific-educational corporation founded in 1981 to foster historical, archaeological, and material cultural research on beads and beadwork of all materials and periods, and to expedite the dissemination of the resultant knowledge. Membership is open to all persons involved in the study of beads, as well as those interested in keeping abreast of current trends in bead research.

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