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Authors

Chris Prussing

First Page

49

ISSN

0843-5499

Last Page

58

Abstract

Intricate cloisonné beads in Japan track the 19th-century upheavals in technological development and society. While late Edo Japan had developed its own aesthetic based upon Chinese sources, the Meiji quest for Western technology produced a uniquely Japanese cloisonné industry unmatched elsewhere in the world. Cloisonné beads mirror this change, beginning in the 1830s with decorative motifs derived from Ming cloisonné and Edo glass beads, and morphing throughout the Meiji era into tiny masterpieces demonstrating a uniquely Japanese art form captured in advanced enamel technology.

Publisher Information

The Society of Bead Researchers is a non-profit scientific-educational corporation founded in 1981 to foster historical, archaeological, and material cultural research on beads and beadwork of all materials and periods, and to expedite the dissemination of the resultant knowledge. Membership is open to all persons involved in the study of beads, as well as those interested in keeping abreast of current trends in bead research.

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