Date of Award
5-11-2025
Date Published
6-18-2025
Degree Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Film and Media Arts
Advisor(s)
Boryana Rossa
Keywords
Any-Space-Whatever;Cinematic Form;Counter-Archive;Displacement;Liquid Time;Transnational Experience
Abstract
This thesis examines how cinematic form can render visible the lived experiences of displacement, temporal disjunction, and marginalization among transnational subjects, particularly international students navigating between legal regimes, emotional landscapes, and cultural systems. Through a practice-led methodology anchored in film theory, phenomenology, and spatial analysis, the project explores how space and time function not as narrative backdrops but as agents of affective rupture. The film WHAT MAKES ME FEEL COLD IS NOT WINTER OR NIGHT employs disjunctive spaces—such as parking garages, mini-golf courses, and restaurant interiors—as sites of perceptual tension, drawing from Deleuze’s concept of the “any-space-whatever.” These locations, stripped of dramatic action, expose the affective folds and atmospheric pressures that shape diasporic life. Temporally, the film resists linearity, adopting extended long takes, visual stillness, and asynchronous soundscapes to evoke the “liquid time” of transnational existence—a temporal structure fragmented by visas, time zones, and unresolvable grief. The thesis argues that such formal strategies offer a cinematic language capable of expressing what escapes conventional narrative: the silent emotional labor and epistemic gaps faced by those suspended between cultures. Ultimately, the work positions cinema as a counter-archive—one that preserves fleeting affective states and offers critical interventions into how displacement is both lived and represented.
Access
Open Access
Recommended Citation
Liu, Yushan, "WHAT MAKES ME FEEL COLD IS NOT WINTER OR NIGHT" (2025). Theses - ALL. 941.
https://surface.syr.edu/thesis/941
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LiuY2025AppendixB.mp4 (61162 kB)
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