Abstract
A large fragment of unknown provenience in the Syracuse University Art Collections contains iconographic elements whose antecedents suggest the continuance of an ancient Andean religious tradition. Analysis of design elements has made possible a conceptual reconstruction of the original, much larger, textile.
Recommended Citation
Thomas, Mary Jean
(1983)
"The Reconstruction and Analysis of a Peruvian Middle Horizon Tapestry Fragment,"
Syracuse Scholar (1979-1991): Vol. 4:
Iss.
2, Article 4.
Available at:
https://surface.syr.edu/suscholar/vol4/iss2/4